PhotoAccess, 30 Manuka Circle, Griffith at 6pm Thursday, April 8. Each of the artists explores the built and/or natural environment through distinctive media. Each of these three solo shows engages with the idea of landscape, exploring questions of the meaning and transformation of place. PHOTOACCESS opens three new exhibitions this week: “Building Blocks” by Sarah Annand, “Super Sport Sunday” by Thomas Lord and “Altering the Edges” by Ellen Dahl. Sarah Annand, “NGA Series 1”, 2020, digital inkjet print. The Front Gallery, 1 Wattle Place, Lyneham, 6pm-9pm, Friday, April 9, book here. She plays solo acoustic guitar, vocals, bouzouki and bodhran, featuring stories of her parents’ homeland, Macedonia. SINGER/songwriter/storyteller Snez from the mid-north coast of NSW is touring her new album “Fisher on the Sea”, accompanied by her six-year-old, Ellie. MacKillop Conference Centre, 50 Archibald St, Lyneham, 7.30pm, Friday, April 9 and online here. Deborah Cheetham.ĭEBORAH Cheetham, new director of the CSO’s “Australian Series” has commissioned a new work from composer Moya Henderson, dedicated to the late Ruth Bader Ginsburg, to be heard in “Sharing the Sky” Atrium, National Museum of Australia, 6.15pm for 6.30pm, Thursday, April 8, Book here.ĬANBERRA Jung Society presents Shauna Winram, who is currently completing a PhD in philosophy at the ANU, with a focus on consciousness and psychosis, speaking on the topic, “How is Consciousness Structured?”. PIANIST Robert Schmidli will play Haydn’s Sonata Hob XVI no 40 in G Major, Chopin’s Scherzo in E Major no 4 Op 54 and Debussy’s “Pour le Piano”, Wesley Music Centre, 20 National Circuit, Forrest, 12.40-1.20pm, Wednesday, April 7. Canberra College Performing Arts Centre, Launceston Street, Woden, April 9-17, various times. Pied Piper Productions director, Nina Stevenson says there are thrills and laughter in the story to delight all ages. Aladdin and his three friends, Babkak, Omar and Kassim, are down on their luck until Aladdin discovers a magic lamp. 42nd Street).Vivien Murray as Aladdin and Zoe Harris as the Genie in rehearsal.ĭISNEY’S “Aladdin Jr” is based on the 1992 film and the 2014 hit Broadway show. Not all seats are available for the lottery.īlackout dates and other restrictions may apply.ĭates, times, prices and cast subject to change without notice.įull-price tickets can also be purchased online at by phone at (866) 870-2717, or in person at the New Amsterdam Theatre box office (214 W. Lottery tickets are not valid for exchanges or past-dated performance offers. Offer not valid on prior purchased tickets and may not be combined with any other offer. Guests must be 18 years of age or older in order to enter. Tickets may only be picked up within 30 minutes of the performance time. Tickets must be picked up from the box office with government-issued identification or they will be released for general sale. The following terms and conditions for the Aladdin digital lottery will apply: Seat locations are assigned based on availability and may not be transferred to other people or performances.Ĭheck Out Broadway Rush, Lottery and Standing Room Only Policies Winners will then have one hour to pay for their tickets online by credit card. Participants will be notified within minutes of the lottery closing whether or not they have won. The lottery, which replaces the one that used to be conducted in front of the New Amsterdam Theatre each day, begins April 4.Įntries will be accepted beginning at 7 PM the day before each performance and will continue up until 8:30 AM on the day of the performance, at which point the lottery for that performance will be closed. The hit Disney musical Aladdin announced that it is moving its daily discount ticket lottery online starting April 4.Ī limited number of $30 tickets will be made available to every performance via /lottery.
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Written and directed by Andrew Niccol, starring Ethan Hawke as Vincent Freeman and Uma Thurman as Irene Cassini, with Jude Law, Ernest Borgnine, Loren Dean, Alan Arkin, and Gore Vidal, in supporting characters Gattaca is a Biopunk movie that dives into the concept of Eugenics. Here is the list of the 10 best movies Like Passengers to have Great Sci-fi and Romance experience. And if you do end up going gaga over the movie, here are 10 best movies like Passengers to get you rolling. Rated 7/10 on IMDb, 30% on Rotten Tomatoes, and 41% on Metacritic, Passengers is a great movie to watch at least once in your lifetime. It has since been an iconic sci-fi romance movie winning hearts worldwide and viewers have only been wanting more of it. Released in the year 2016, the movies like Passengers garnered remarkable appreciation and love for its plot, excellent casting, and mind-blowing direction. Orbiter 9 is on Netflix now.Written, and directed by Jon Spaihts and, Morten Tyldum, Passengers is a thoroughly gripping and fascinating science-fiction romance film that revolves around the awakening of two passengers in a spaceship on a voyage to a colony on the distant planet, from an induced hypersleep and their collective strategy to prevent tragedy. There's no dubbed version, but at 94 minutes, Orbiter 9 is brief and easy to follow. That said, it's an enjoyable sci-fi romance, and its failings are outweighed by its strengths. Shot mostly in Medellín in Columbia, the outside world, meant to be an "antiquated slum", is all brutalist concrete, more a 1960s failed vision of the future than a modern one, and a rooftop chase scene towards the end feels unnecessary and only highlights the fact Orbiter 9 didn't have the budget to make a more convincing future world. The world mostly looks the same as our own, with the same kind of cars and personal computers, and it's only the presence of viable interstellar travel, the catastrophic state of the environment, and the fact Silvia conducts therapy anonymously through a projection of a wolf's head, that implies it's later in the century than you might think. Orbiter 9's outside world, despite being set decades in the future, lacks most of the cyberpunk aesthetics from something like Mute. The fact that the movie moves away from a sci-fi setting into a more mundane one is probably a budgetary restriction more than anything else. She's another European star, like Hugo Becker, Louis Hoffmann and Maciej Musiał, who has already started branching out into international TV and movie productions and can bring some name recognition to a non-English language movie. She's not baffled by mundane things, simply inexperienced given she's been on what she thinks is a space station all her life, her trip to an antique shop full of dusk and unnecessary things would be like an alien world to her. This is really Clara Lago's movie though. Helena is not emotionless, simply out of place and she brings a subtle grace to the role. The characters are fallible, part of something much larger and yet who stumble due to human weakness. Both characters are responsible for bad decisions, whether it's Helena insisting on seeking out her "parents" at the potential cost of her own freedom, or Alex introducing Helena, who has spent her entire life in a hermetically sealed environment, to an outside world that is so toxic that humanity needs to find a new home. It's probably closer to the Jennifer Lawrence and Chris Pratt movie Passengers, given Alex convinces Helena to leave the safety of Orbiter 9 out of both love and guilt. You're probably going to immediately think of Moon when watching Órbita 9, and there's a certain similarity at the beginning. Confronting them, she accidentally reveals her existence to Alex's boss Katherine (Kristina Lilley), who wants Helena terminated as a failed experiment. At first, Helena seems to thrive in the world, only to discover that her parents are not only still alive, but also unrelated to her. It doesn't take long for Alex to decide that keeping Helena locked up is cruel and serves no purpose, and through manipulation of the cameras he installed during his last visit, and smuggling Helena in his truck's tool locker, brings her to the outside world. Alex had designed one such failed vessel, that killed the entire crew, an accident that still leads him to visit his therapist Silvia (Belén Rueda). Humanity has poisoned the oceans, so mass relocation is the only path for survival, yet the journey to Celeste has been fraught with difficulty. 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Tagging is also the key to solve your original problem: if you establish that any branch merged to the "work" branches can and should be deleted, and that any one that is merged to a version tag, "production", etc. Of course no history management (pull requests or otherwise) replaces proper tagging of versions (which you preferably automate with the same tool/script that deploys/packages a version), so you can always fast-switch to whatever your users happen to be on at a given moment. My current work team, for example, prunes all branches that are not master or deployment-related (e.g., production, staging, etc.) as soon as their pull requests gets merged, and we still have full tracking of how the related commits formed each incremental improvement of each product. This is so commonplace that recently Github added a (sweet) feature that pops a "delete branch" button right after you merge a pull request.īut it is worth noticing that each group should adopt the workflow that suits it best (and it may or may not lead to deleting such branches). Since the question has the "github" tag, I'd also add this: specifically in Github, if you pull-request a branch and it gets merged (either via the UI or by merging the pull request's branch), you won't lose the pull request data (including comments), even if you remove the branch.Ī consequence of this: If you incorporate pull requests as a part of your workflow (which blends sweetly with code reviews), you can safely delete branches as soon as they get merged. Never actually understand, even if they try, because all they see is you, on fire, screaming about the arsonist that no one ever sees, and who has been spreading lies about your alleged mental instability, deceptive personality, etc. Anyways, I especially relate to her midnights becoming afternoons, complex PTSD often leads to this phenomenon, whether due to purposeful sleep deprivation by the abuser, or just hyper vigilance associated with the PTSD, along with the fear of facing people, especially your loved ones, who funny how you say the words domestic violence, abuse, abuse survivor and boom the subject changes. The abuser has no anxieties, no emotional pain, or salience/memory for that matter, so the survivor appears to be the crazy one, obsessed with the abuse and that buzzword that seems to ignite arguments about diagnosing people without a degree, etc. I believe this is another amazingly on point and nuanced commentary on the insanity that follows emotionally abusive relationships. With some chocolate thai skunk, 50 dollar dank sacks So baby get game cause you know I be back Some starwberry boones and a pack blackjacksĬool as Morris Day breakin' hoes like the mack I brought a little pam and a maryjane sack Knock, knock, knock, who is it? (Jim Jones)Ĭharmaine, is your nigga here, or are you alone? We can chit, we can chat, but you gets no scratch These hoes roll they eyes, still spread they thighsĪnd think a nigga like me is gonna get you high? My name is dre dog I own a mansion and a yachtĪnd a volvo wit a cuddy wit a black rag top Smokin' chewy wit my niggas playin' bones in the kitchen I'm a hard headed motherfucker never will listen' If a dolla had a pussy it'd be a fuck bitch My hair is growin' back and I still got dick for you hoesĪ-1 yola, coca cola, nigga coke is in, but not the soda Still smokin' dank, hoes still gotta grip, The dank smokin', hoe chokin', cuddy on chrome, Your motherfuckin' right do you know who I am? Nappy headed heifers wearin' girlfriends clothesīut when they see the cuddy punk hoes straigten upĬause a nigga like me is up front smokin' skunkĬhewin' on juicy fruit, drinkin' on boonesīitch who you lookin' at like a fuckin' fool? Heifers be yellin' but ya know I ain't hearin' ya Some of these hoes think it's betta than the tongue My cuddy, my cuddy, it get the pussy sprung Smokin on some chocoalte skunk potent thai stick. More hoes, more hoes, more bank, more bank More powder, more powder, more dank, more dank If knuckle had a swoop they would call me sugar ball, mothafucker Mary jane is dank right and pam is cocaine The bitches roll cuddys, mustangs, and impalas.Ĭaramel, butterscotch, and milky brown sweet, You're fuckin with a chewy smokin mothafuckin vet.Īnd in this day and age hoes don't listen to their mommas, Miss me with the battle bitch, rush me with the dankĬaramel coated tittie, yea your pussy's soakin wet Miss me with the bullshit, hit me with your bank Hoes chokin, weed smokin, blazin mary jane,īitches be trippin when they see the cuddy chromeĬause they starin at a nigga that got it goin on Theres pussy on the street, I'm tryin to get that funk. Hard headed nigga smokin chocolate thai skunk, Hoes turnin they head all throughout the fuckin hood. Well I slap these bitches and pimp these hoes, im a Fillmoe VIPĭippin in the cuddy, not a mothafuckin' caddy.įifty dolla dank sacks got me smellin good Without her body, police booked Griffiths’ on suspicion of assault, but authorities actually upgraded the charge to suspicion of Blamires’ murder. His apartment and garden was searched for evidence but no trace of Blamires was found. “This was a man who clearly wanted to be known,” said Jerry Lawton, chief crime correspondent for the Daily Star. The man, identified as Griffiths, looked directly into the security camera and gave an obscene gesture. The crime was caught on a security camera.Īrmitage is seen in the footage being chased by a man with a crossbow. The next day, the superintendent of a building in that neighborhood called to report seeing an attack. On May 23, 2010, Suzanne Blamires, 36, went missing. One such message arrived hours before Armitage vanished. His grip of control went slack, but he continued to leave harassing and sometimes deranged phone messages. Griffiths responded with aggressive phone messages and Hancock finally cut off the communication. “I made the conscious decision to keep in contact and not annoy him because then I knew exactly where he was." “He built a coffin for the pregnancy test,” said Hancock, who mustered her courage and finally left the apartment. He celebrated the idea of fatherhood, but she ultimately lost the baby. Hancock was distraught, figuring that a child would forever tie her to Griffiths. “I had the opportunity to leave but I found out I was pregnant.” The situation left her doubting her own judgment.īut after a beating, she went to the police. Meanwhile, Griffiths’ tight grip of control on Hancock, along with mental and physical abuse over several years, intensified, she said. Officers went there to urge sex workers to use caution as well as their eyes and ears to report any leads to them. She wouldn’t just leave town.Īrmitage was last seen in the city’s red light district. Armitage, witnesses said, had just gotten a new puppy she adored. Ten months after Rushworth’s disappearance, a second woman, Shelley Armitage, 31, went missing. The events left her “broken” and under his control, she told producers. While she was there he went to her home and took her beloved dogs and never revealed what he did with them, Hancock said. She recalled that he laughed about spiking her tea with a “deadly drug,” an incident she claimed landed her in the hospital. He honed in on people’s vulnerabilities, and he also was obsessed with serial killers, especially Sutcliffe, who died in 2020. Hancock told producers that Griffiths’ outward show of empathy masked a darker agenda. Meeting Griffiths in 2001 “was like an earthquake,” said Hancock, who’d worked in the prison system and found him very intelligent. That was because of her relationship with Stephen Griffiths. Police considered the area’s infamous past and asked themselves, “Have we got something again developing along a similar line?” according to “Living with a Serial Killer,” airing Saturdays at 9/8c on Oxygen.Īlthough she didn’t know it in 2009, another Bradford resident, Kathy Hancock, shared a connection to the missing woman. Rushworth's loving family appealed to the public for help to find her, but Rushworth never turned up. When Susan Rushworth, 43, went missing in June 2009, shiver-inducing memories of Sutcliffe, aka the “Yorkshire Ripper,” were triggered. 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Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.) Filing date Publication date Priority claimed from US70112205P external-priority Application filed by Bayer Schering Pharma Aktiengesellschaft filed Critical Bayer Schering Pharma Aktiengesellschaft Priority to US11/996,187 priority Critical patent/US20090275047A1/en Priority to EP06765078A priority patent/EP1904629A2/en Priority to JP2008522066A priority patent/JP2009504141A/en Priority to CA002615753A priority patent/CA2615753A1/en Publication of WO2007010285A2 publication Critical patent/WO2007010285A2/en Publication of WO2007010285A3 publication Critical patent/WO2007010285A3/en Links ( en Inventor Susanne Maria Saalau-Bethell Anne Cleasby Tracey Ann Sambrook Joseph Coyle Mladen Vinkovic Original Assignee Bayer Schering Pharma Aktiengesellschaft Priority date (The priority date is an assumption and is not a legal conclusion. Google Patents WO2007010285A2 - Crystal structure of human soluble adenylate cyclase WO2007010285A2 - Crystal structure of human soluble adenylate cyclase Scout Squad Leader in a Scout/Sniper Platoon of a light infantry battalion leads a reconnaissance team during combat operations collects information that has tactical value concerning the enemy, terrain, weather, and civil considerations within an AO ensures proper reporting of intelligence data to unit ensures maintenance, accountability, and effective utilization of all squad-assigned equipment with a total value of over $50,000 maintains the highest state of combat readiness regardless of conditions and personnel changes responsible for the health, morale, welfare, and training of a scout squad consisting of up to six Soldiers.Īssigned as a Squad Leader, responsible for the health, welfare, morale, and combat readiness of a six man squad in a Rapid Deployment Platoon of the 3rd Infantry Division Assists platoon sergeant in developing and implementing individual training provides technical guidance and support to subordanates in administrative matters supervises maintenance ensures compliance with all directed, specified, and implied tasks responsible for the accountability of $2,000.000 in weapons, optics, and organizational equipment. Team Leader in a M2A2 ODS Mechanized Infantry Platoon Bradley gunner maintains accountability of up to 2.5 million dollars worth of equipment, BII and communications platforms onboard the vehicle trains and mentors the Bradley driver, responsible for his equipment and well-being operates the 25 MM cannon and the 7.62 coax machine gun during combat patrol, navigates for the Bradley Commander, and monitors communications traffic between other vehicles and ground units takes control of vehicle movement in the absence of the Bradley Commander. Team Leader in a M2A2 ODS Mechanized Infantry Platoon Assist in the breaching of minefields and obstacles. Assists in target detection, identification, and round sensing. Collects and reports tactical information as member of combat or reconnaissance patrol. Constructs individual fighting positions. Performs basic communication functions and operates platoon communications equipment. Employs proper dismounted movement techniques, cover, concealment, and camouflage as part of dismount team. Employs, operates, and maintains assigned weapons and equipment. Operates both mounted and dismounted to close with and destroy the enemy. There do not appear to be any standards to Bar Billiards rules and at least one other variation is in wide circulation that utilises 4 skittles instead of 3.īar Billiards is still popular in the South of England but has, unfortunately, lost a lot of its popularity due to the emergence of American 8 ball Pool.įor more information on the History of Bar Billiards, see the Online Guide to Traditional Games. Eventually, a governing body was formed called the All-England Bar Billiards Association which supervises the game across 18 counties, mainly in the South of England. The first pub league was created in Oxford in 1936 and shortly afterwards leagues sprang up in Reading, Canterbury and High Wycombe. Pubs seemed keen to buy tables and other manufacturers soon got in on the act. Gill convinced the English manufacturer Jelks to make a version of the game which he called Bar Billiards. The businesss old-school dive bar character, pool tables and lively crowd. Since 1963 West Penn Billiards has been focused on offering the highest quality pool tables. What you might not expect is over 200 kitchen and bar stools, custom made bars, patio furniture, fire pits, wood fired grills, signed memorabilia and so much more. A Russian link is therefore a possibility but it seems more likely that the game was named so as to sound slightly exotic to the ears of West Europeans at the time. Contact me Long Beach Area Bar & Grill/Liquor First Class Buildout w. At West Penn Billiards and Fine Furniture, you’d expect pool tables and shuffleboards. Beyond that assumed and mysterious connection, it isn't known how Bar Billiards originated but in the early 1930s an Englishman called David Gill observed a game called Russian Billiards (Billiard Russe) being played in Belgium. The similarity of Bar Billiards with Bagatelle, the pub game that was most popular for at least a century after 1770 is so evident that it seems highly likely that Bar Billiards is a derivative of Bagatelle via some lineage but that lineage is, at present, unknown. |
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